HIFA 2014 – Day 3

5 05 2014

Right, now that the internet is back I can post! Hopefully it will last long enough…

Day 3 was Coca-Cola day and quite a busy one for me. First off a play, The Maids, a French written tragi-comedy about sisters working as maids in Paris for a tyrannical and erratic “Madame”. Great direction by Giles Ramsey at the Standard Theatre.

Also at the Standard Theatre was a double dance bill starting with Push Pull by the Dunia Dance Company telling the story of illegal African immigrants into Spain who often die en route. Graphic stuff. The second half was Prelude by Aida Diaz and to quote the programme: “Prelude speaks of the systematic rape of beauty, the loss of innocence and ultimately of forgiveness
and redemption. A hymn to life, born from a deep sigh.”

Will McNicol’s second programme of acoustic guitar music by composers who had influenced him was next door at the NMB Recital Room.  Understated and unassuming he is an extraordinary player. I particularly liked his version of the blues – yes from and acoustic guitar! He has one more show today (Sunday) in the “Battle of the Guitars” with the other acoustic guitar players at HIFA but it’s sold out. Never mind, if he comes to a venue near you go and see him – you will be enthralled.

In the evening I caught singer songwriter Josephine from the UK. Not my style of music but it was a full Lays Global Stage and the rest of the audience enjoyed it.

In the evening was the first performance of the Dance Foundation Course’s “Baobab Shadows”. A collaboration with Dunia Dance Theatre of Belgium and Les Cliquets, trapeze artistes also from Belgium. It made innovative use of shadows and a backdrop. It was enthusiastically received by a small audience. At the second performance I tried a technique of blurring the shots to get an idea of movement. I think it worked well.

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